Jordan National Gallery of Fine Arts (Amman)

Location: Hosni Fareez Street, Amman

Tel. +962 6 463 0128

Official site

 

The Jordan National Gallery of Fine Arts (JNGFA) in Amman, Jordan, is a premier cultural institution dedicated to contemporary art from Jordan, the Arab world, and the broader developing world, particularly Asia and Africa. Located in the vibrant Jabal Al-Luweibdeh neighborhood, the gallery is a cornerstone of Amman’s art scene, showcasing a diverse collection of over 3,000 works by more than 1,000 artists from 60 countries. Established in 1980 by the Royal Society of Fine Arts, under the patronage of the late King Hussein and Queen Noor Al Hussein, the JNGFA has grown into one of the Middle East’s leading art museums.

 

Historical Background

The Jordan National Gallery of Fine Arts was founded in 1980 by the Royal Society of Fine Arts, a private, non-profit organization established in 1979 to promote visual arts in Jordan, the Arab world, and developing countries. The gallery’s official inauguration was a landmark event, reflecting Jordan’s commitment to fostering cultural dialogue and artistic exchange. Led by HRH Princess Wijdan Al-Hashemi, the Royal Society envisioned the JNGFA as a platform to showcase contemporary art from regions often underrepresented in global art narratives, particularly Asia and Africa.

Initially housed in a single building, the gallery expanded in 2005 with the addition of a second building, connected by a Sculpture Park. This expansion allowed the JNGFA to accommodate its growing permanent collection and host larger temporary exhibitions. The gallery’s focus on contemporary art distinguishes it from other Amman institutions, such as the Jordan Museum, which emphasizes archaeology, or the Jordan Archaeological Museum, which focuses on ancient artifacts. Over the decades, the JNGFA has become a cultural ambassador, strengthening ties through artistic collaborations with international museums and institutions.

The JNGFA’s mission is rooted in promoting cultural diversity, disseminating artistic knowledge, and supporting emerging artists. Its establishment in the culturally dynamic Jabal Al-Luweibdeh neighborhood, known for its galleries, cafes, and historic architecture, has made it a hub for Amman’s creative community.

 

Architectural Features

The JNGFA is housed in a complex of four buildings flanking a Sculpture Park, creating a harmonious blend of indoor and outdoor spaces. The architecture combines modern design with adaptive reuse of heritage buildings, reflecting Jordan’s balance of tradition and innovation. Below are the key architectural elements:

1. Building 1
Location and Purpose: Situated on the north side of the Sculpture Park, Building 1 is the smaller of the two main exhibition spaces. It primarily hosts temporary exhibitions, showcasing new works, visiting collections, or thematic displays.
Design: The building features four floors with clean, minimalist interiors designed to highlight the artwork. Its modern layout includes open gallery spaces with natural light, creating an inviting atmosphere for visitors.
Management Offices: The ground floor houses administrative and information offices, serving as the entry point for visitors.

2. Building 2
Location and Purpose: Located opposite Building 1, across the Sculpture Park, Building 2 is the larger structure and the heart of the permanent collection. It also hosts temporary exhibitions and cultural events.
Design: Spanning four floors, the building features spacious galleries with high ceilings and flexible display areas. The top floor houses a specialized reference library with books and periodicals on art, design, and architecture in multiple languages, as well as a gift shop (Mtjr) offering books, postcards, photographs, and Jordanian handicrafts.
Cafe and Terrace: The top floor includes a cafe with a terrace offering panoramic views of the Sculpture Park, the blue-domed King Abdullah I Mosque, and Abdali Boulevard. The cafe is a popular spot for visitors to relax and reflect, enhancing the gallery’s appeal as a cultural destination.

3. Sculpture Park
Area and Design: Covering 7,500 square meters, the Sculpture Park connects Buildings 1 and 2, serving as an open-air gallery for outdoor sculptures. The park features a children’s playground, an open-air stage, a Japanese garden, and an Andalusian fountain, creating a serene and multifaceted environment.
Sustainability: Renovated as part of the Water Conserving Landscapes project by the Center for the Study of the Built Environment (CSBE), the park won a Global Gold Award in 2016 by the Green World Organization for sustainability. It uses water-efficient planting systems, such as Grevillea robusta and Sophora japonica, requiring minimal maintenance. The Greater Amman Municipality oversees maintenance, guided by a stakeholders’ committee including local residents and gallery staff.
Sculptures: The park hosts a rotating collection of sculptures, commissioned through initiatives like the International Sculpture Symposium, adding to the gallery’s dynamic offerings.

4. Additional Buildings
The complex includes two smaller buildings, likely used for administrative purposes, workshops, or storage, though specific details are not widely documented. These contribute to the gallery’s operational capacity.

5. Accessibility
The gallery is wheelchair-accessible, with ramps and staff assistance available, ensuring inclusivity for all visitors.
The park and buildings are designed to be pedestrian-friendly, with shaded lanes and seating areas, aligning with Jabal Al-Luweibdeh’s reputation as a walkable, artsy neighborhood.
The JNGFA’s architecture, with its blend of modern galleries, heritage elements, and sustainable landscaping, creates a welcoming and culturally rich environment, distinguishing it from more traditional museums like the Jordan Museum or Central Bank of Jordan Currency Museum.

 

Collection and Exhibitions

The JNGFA’s permanent collection is its cornerstone, comprising over 3,000 works by more than 1,000 artists from 60 countries, primarily from Asia, Africa, the Arab world, Europe, Latin America, and Australia. The collection spans a wide range of media, including:

Paintings: Abstract, figurative, and modernist works, such as Lebanese artist Samir Sayegh’s calligraphy-inspired pieces or Palestinian artist Laila Shawa’s vibrant compositions.
Sculptures: Three-dimensional works displayed indoors and in the Sculpture Park, ranging from traditional to contemporary styles.
Ceramics, Prints, and Photography: Including pieces that capture cultural themes, such as Palestinian Intifada imagery or Saudi Arabian social commentary.
Video Art and Installations: Experimental works, such as the [Digital] Transmissions project (2021), commissioned by the British Council and featuring Jordanian artists like Asiya Alsheshani and Haneen Jaafreh.
Graphic Art and Weavings: Reflecting traditional and modern techniques from the Arab and Islamic worlds.

 

Notable Artists

Jordanian Artists: Representing local talent, such as SalahEddin AlQawasmi and Lina Q. Asaad.
Arab Artists: Including Syrian Fateh Moudarres, Lebanese Hussein Madi, and Palestinian Paul Guiragossian.
International Artists: From countries like Armenia, India, Indonesia, Nigeria, and Papua New Guinea, showcasing the gallery’s global reach.
Themes and Significance
The collection explores diverse themes, including cultural identity, political struggles (e.g., the Palestinian Intifada), social issues (e.g., women’s rights in Saudi Arabia), and traditional practices (e.g., weddings, grieving). Paintings of Jerash and Jerusalem, for instance, highlight the region’s historical and cultural significance with a blend of antiquity and serenity. The gallery’s focus on contemporary art from the developing world sets it apart, offering a platform for artists who challenge Western-centric art narratives.

 

Temporary Exhibitions

The JNGFA regularly hosts high-quality temporary exhibitions, often in collaboration with international institutions. Recent examples include:

“Diva!” (2022): An exhibition of Italian fashion jewelry (1950–2021), showcasing glamour and craftsmanship.
Contemporary African Art (2022): Featuring works from the permanent collection in Building 1.
Samir Sayegh Solo Exhibition (2023): A showcase of Lebanese modernist calligraphy, organized with the Jordanian Lebanese Association.
Prints by David Roberts: A donated collection from Mr. George Abu Khader, displayed in recent years.
These exhibitions highlight the gallery’s role in fostering cultural dialogue and introducing global art trends to Jordanian audiences.

 

Cultural and Community Programs

The JNGFA is more than a museum; it is a dynamic cultural hub with extensive programs aimed at education, community engagement, and artistic development. Key initiatives include:

1. Hiwar Art Club
Launched to increase cultural awareness, the Hiwar Art Club holds weekly events every Saturday, supervised by artist Khaldoun Hijazin. Activities include lectures, seminars, film screenings, and discussions with artists, fostering dialogue about visual arts.

2. Touring Museum
The Touring Museum brings art to rural communities across Jordan, visiting over 400 villages since its inception. It targets schools, youth centers, and cultural institutions, presenting works from the permanent collection alongside workshops in drawing and painting. This initiative promotes art appreciation and discovers young talent in underserved areas.

3. Factory Platform
Introduced in 2018, the Factory Platform, curated by Dr. Rocio Villalonga from Spain, supports emerging artists through open calls for projects in visual arts, music, theater, literature, dance, and public art. It offers residencies, curatorial projects, and street art opportunities, integrating the local community into the creative process.

4. Art and Nature Forums
These forums connect Jordanian artists with their natural and historical environment, hosting workshops in various regions. Each forum concludes with an exhibition of works produced by participating artists, benefiting local communities through engagement.

5. International Sculpture Symposium
This event commissions new sculptures for the Sculpture Park, fostering collaboration among global artists and enhancing the gallery’s outdoor collection.

6. Workshops and Events
The JNGFA organizes art workshops, poetry readings, storytelling sessions, musical events, and book launches in collaboration with artists, writers, and cultural institutions. These activities make the gallery a vibrant community space.

7. Publications
The Royal Society of Fine Arts publishes books on classical and modern Islamic and Arab art, as well as exhibition catalogs, contributing to art scholarship in the region.
These programs underscore the JNGFA’s commitment to accessibility, education, and cultural exchange, making it a vital part of Jordan’s artistic ecosystem.

 

Cultural and Historical Significance

The JNGFA is a cultural beacon in Jordan and the Middle East, with several dimensions of significance:

Promoting Arab and Developing World Art: By focusing on artists from Asia, Africa, and the Arab world, the gallery challenges Eurocentric art narratives, giving voice to underrepresented regions. Its collection is a testament to the diversity and creativity of these cultures.
Cultural Dialogue: Collaborations with international museums and exhibitions like “Diva!” and [Digital] Transmissions foster cross-cultural exchange, positioning Jordan as a hub for global art.
Supporting Emerging Artists: Through initiatives like the Factory Platform and Touring Museum, the JNGFA nurtures young talent, ensuring the vitality of Jordan’s art scene.
Community Engagement: The gallery’s programs, from Hiwar Art Club to rural outreach, make art accessible to diverse audiences, reinforcing Jordan’s reputation for cultural inclusivity, as seen in initiatives like the Amman Message (2004).
Architectural Innovation: The adaptive reuse of heritage buildings and the sustainable Sculpture Park highlight Jordan’s ability to blend tradition with modernity, setting a model for cultural institutions in the region.
Compared to other Amman attractions, such as the Roman Theatre or Jordan Museum, the JNGFA offers a contemporary perspective, complementing the city’s historical and archaeological sites with a focus on living art.

 

Visitor Experience

Visiting the JNGFA is a rewarding experience for art enthusiasts, students, and tourists seeking a deeper understanding of contemporary art in the Middle East. Here’s what to expect:

Duration of Visit: Exploring both buildings and the Sculpture Park takes 1–2 hours, depending on interest in the exhibitions and time spent at the cafe or library. Temporary exhibitions may require additional time.
Accessibility: Located on Husi Fareez Street in Jabal Al-Luweibdeh, the gallery is a 15–20-minute walk from Al Abdali Mall or a short taxi ride (1–2 JOD) from downtown Amman’s Hashem Restaurant. The neighborhood’s quaint streets and scenic views of El-Balad (downtown) enhance the experience.

Entry Requirements:
Admission: 7 JOD (~9.87 USD) for non-Jordanians, 1 JOD (~1.41 USD) for Jordanians, valid for both buildings on the same day.
Hours: Open 9:00 AM–5:00 PM, closed Tuesdays and Fridays, and on official holidays. The Sculpture Park is open 9:00 AM–2:30 PM, and the cafe operates 9:00 AM–11:00 PM.
Wheelchair Access: Ramps and staff assistance ensure accessibility.

Highlights:
Permanent Collection: Offers a diverse range of works, from abstract paintings to politically charged photography, with artists like Fateh Moudarres and Laila Shawa standing out.
Temporary Exhibitions: High-quality displays, such as the Samir Sayegh exhibition, provide fresh perspectives.
Sculpture Park: A tranquil space with sculptures, a Japanese garden, and an Andalusian fountain, ideal for relaxation and photography.
Cafe and Library: The top-floor cafe in Building 2 offers stunning views and a cozy atmosphere, while the library is a treasure trove for art scholars.
Atmosphere: The gallery is described as an “oasis in Amman” and “food for the soul,” with a tranquil yet vibrant ambiance. It is often less crowded than other attractions, allowing for a reflective experience, though some note the lack of English-speaking staff or detailed artist information.
Photography: Permitted in most areas, though visitors should confirm with staff, especially for temporary exhibitions.

Nearby Attractions:
King Abdullah I Mosque (1 km): A blue-domed mosque with an Islamic museum.
Rainbow Street (2 km): A trendy area with cafes, galleries, and nightlife.
Al Abdali Mall (1.5 km): A modern shopping and dining destination.
Darat al Funun (1–2 km): A cultural center showcasing contemporary Arab art.

Limitations:
The gallery’s location in the backstreets of Jabal Al-Luweibdeh can be hard to find, and taxi drivers may not know the exact address, requiring GPS or directions (e.g., near the King Abdullah I Mosque).
Limited information about artists and occasional lack of English-speaking staff may frustrate some visitors.
The air conditioning, noted as available, has been reported as turned off during hot weather, impacting comfort.
Those expecting extensive Jordanian historical art may be disappointed, as the focus is on contemporary works from a broader region.

 

Practical Information

Location: Husi Fareez Street, Jabal Al-Luweibdeh, Amman 11191, Jordan (P.O. Box 9068).
Opening Hours: 9:00 AM–5:00 PM, closed Tuesdays and Fridays, and on official holidays. Sculpture Park: 9:00 AM–2:30 PM. Cafe: 9:00 AM–11:00 PM.
Admission: 7 JOD for non-Jordanians, 1 JOD for Jordanians, valid for both buildings on the same day.

Getting There:
By Taxi/Rideshare: Costs 1–2 JOD from downtown Amman (e.g., Hashem Restaurant). Uber or Careem are reliable options. A service taxi (white, shared) from downtown costs ~0.50 JOD per person.
By Foot: A 15–20-minute walk from Al Abdali Mall or the King Abdullah I Mosque, following brown signage.
By Public Transport: Limited bus options serve Jabal Al-Luweibdeh; the Raghdan Tourist Terminal is the nearest hub.
By Car: Parking is available near the gallery, though spaces may be limited.

Tips for Visitors:
Check the gallery’s website (www.nationalgallery.org) for the latest exhibition schedule and event details, such as Hiwar Art Club sessions.
Visit in the morning for cooler temperatures and fewer crowds, especially in the Sculpture Park.
Bring a map or GPS, as the gallery’s location can be tricky to navigate.
Combine with nearby attractions like Rainbow Street or Darat al Funun for a full day of cultural exploration.
Visit the cafe for a relaxing break with views of the King Abdullah I Mosque.
Contact: Website: www.nationalgallery.org; Phone: +962 6 463 0128; Email: info@nationalgallery.org.

 

Critical Perspective

The JNGFA is a cultural gem, offering a unique perspective on contemporary art from the Arab world and beyond, but it has some limitations. Its focus on modern works may disappoint visitors expecting traditional Jordanian or historical art, as noted by some reviewers who found it “nothing majestic.” The lack of detailed artist information and occasional language barriers with staff can hinder the experience for international visitors. Additionally, the gallery’s location, while charming, is not as accessible as downtown attractions like the Roman Theatre or Jordan Museum, and its reliance on taxi navigation can be challenging.

Compared to other regional institutions, such as Darat al Funun, which focuses on Arab art in a historic setting, the JNGFA’s broader geographic scope and larger collection make it more comprehensive but less intimate. Its sustainability efforts, like the Sculpture Park’s water-conserving design, set a positive example, but maintenance issues, such as the park needing “more attention and cleaning,” suggest room for improvement.

The narrative of the JNGFA as a “major Middle Eastern art museum” is well-supported, but its impact depends on its ability to balance accessibility, visitor engagement, and maintenance. For art lovers, the gallery’s diverse collection and dynamic programs make it a must-visit, but casual tourists may find it less compelling than Amman’s archaeological sites unless guided by a specific interest in contemporary art.